Tuesday, October 11, 2005

that zanger!

this is another dutch on and this is getting ridiculous.

Tsk Tsk Tsk: . I try by deeply inhaling to profit of possible hallucinating impact. A fruitless forwarding. Even after a wasbeurt my kleren will bring at Schiphol each drug dog in highest state of alertness to next month - in the galaxy, during acting!!!, make smoke me unfortunately far from high. . The seven men on the podium are ongeschoren super clean groove machine. Uncomplicated pleasure is their main point and dances their aim. If you do not have to meedanst you zoeken nothing at them. He sees no verlossing in the intolerable discobeats. That zanger! he complains between two numbers. He behaves himself not only irritating, but he has to not even musical brio its compensate fratsen! Vocalist Nic sacrifice has to indeed a little offer more than effeminate danspasjes and youthful smile. To be for the greater part unintelligible, schorre serves praatzang mainly as an extra percussion instrument, without the dark bijklanken of Scott McCloud (Girls Against boys) or the acerbity of mark E. Smith. He is a more informant then a muzikant, a swinging circus master, dollend in the hay of the piste, where necessary publicly hurrying. And public, that wants, however. opening number Take Ecstasy With me is a weak start. According to sacrifice the new single (and a cover of The Magnetic Fields tells to stereo me later). Seven muzikanten can be led by binding housedreun from a machine. Two gitaristen do wedstrijdje who can more impact from its jet ear obtain then The Edge. To the lock of the first number no less than three link members on percussion stand ram beside the drummer. I can hear them none of all, because the machine stands too hard. As!!! the dwangbuis throws off the link sounds more separately and can the muzikanten more rock in the dance process. Each number has been built as housetrack with the basdrum constantly on each tel, active to a climax, just as implying against the end effectively explode in the coda. The link forms such a firmly dansbare entity, which works their set-up each time, the eenvormigheid of the repertoire on the buy taking. As a recensent critically analyse are meaningless!!! are only and only meant vrijuit foot of the floor and the majority of publicly gladly gives himself to be won. The long drummer John Pugh staggers forward a number long with the motoriek of Daniel Day-Lewis in My Left Foot and the head voice van Scissor SIS-DELICATE ones is share game joy with first ranges. In spite of the rising temperature and ditto positive contact, both on the podium and at the leaping about part of the room, and in spite of the excited clincher me And Giuliani down one By The school yard (in which the catalogue of the link is summarised, including fumaroles and, a word sung melodietje), closes after the lock agreement the curtains resolutely and is the performance surprisingly rapidly beyond. And where has your sober criticus killed its time during acting? To a couple words mainly zoekend to summarise!!!. Because colleague G. has dripped down after a number or five can I only still with maatje J. an enumeration determine of link from the years the eighty true links California by late to influence itself: A Certain ratio, The headstock Group, pace or Four, happy Mondays, Talking Heads, The Contortions. I conclude the evening with only four words: New Fast Automatic Daffodils

7 comments:

beckler said...

I keep trying to stop but then there will be a quote like

The seven men on the podium are ongeschoren super clean groove machine

and I can't

beckler said...

so far I have gathered that international fans say that John Pugh is "long" has an "enviable beard" sings like the guy in the Scissor Sisters (two reviews said this) and looks like Daniel Day Lewis.

Anonymous said...

http://sacramento.craigslist.org/cas/103457227.html

beckler said...

what did it say? it's deleted.

Anonymous said...

It was some sub-Penthouse Forum sex fantasy with a picture of a naked chick at the end. The girl was going crazy with desire forever but the guy finally mounted her.

miller

beckler said...

ok...scott we can keep this kind of correspondence private. our whole life doesn't have to be lived in the public eye just because we are prominent in the local "scene". i read A & K this morning in N st. cafe and Cary Rodda mentioned "supporting the scene" SO MANY TIMES that I was trying to think of a joke about it. Maybe someone could help me out. The only one I could come up with is lame

Q: how many alive and kicking writers does it take to change a lightbulb?

A: they don't have time to change it, they're too busy supporting the scene

that's all i got

Anonymous said...

What do they chant at the A & K Christmas party?

"CAN YOU SUPPORT IT?!"

That's so inside-joke cliquey that I barely get it.

But it beats "why did the A&K-er cross the road?" because that is so obviously to support the scene.

miller